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โครงการรวบรวมและจัดทําเอกสารวารสารอิเล็กทรอนิกส์ มหาวิทยาลัยเกษตรศาสตร์


          216      Humanities Journal Vol.21, No.1 (January-June 2014)

          device helps stimulate the sense of interest in the audience by expressing
          meanings against the shown message. Some examples of these pictures of
          fantasy include 1) the ironic statement reflecting a fantasy sense of superpower

          against  social/  religious  institutions  (e.g., religious  beliefs);  2)  the  ironic
          presentation of supernatural sense related to religious beliefs; 3) the ironic
          statement  reflecting  fantasy  sense  of  universal  value  related  to  human
          behavior/  profession  (e.g.,  soldier);  4)  the  ironic  statement  of  imaginative
          sense related to battle strategy; 5) the ironic statement  reflecting fantasy
          sense of romance (by hero) (e.g., an over-confident hero).


                      The prominent example from the story Clash of the Titans
          exemplifies the use of irony that expresses fantasy sense of supernatural.

          (9)  Io   :    Many years ago, I refused a God's advance. I was cursed
                        with agelessness.
             Perseus :   So much of a curse.!
                                         Context: The hero [Perseus] gives an

                                         ironic statement to the heroine [Io].

                      In example (9), the supernatural sense of being agelessness
          is reflected through the device of irony. Then, the author employed the ironic
          device in the hero’s saying, ‘So much of a curse.!’ instead of giving warm
          support to the woman in order to create a strong perception among the

          audience in this supernatural sense. The device of irony that helps portray
          the more perceived imaginative picture that can provoke the vividness of
          emotional  senses  (e.g., excitement  and  doubt)  should  lead  to  the  better
          understanding  of  the  message.  Todorov  (1970  cited  in  Scholes,  1975)
          mentioned  that  the  success  of  promoting  those  imaginative  sensations
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