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โครงการรวบรวมและจัดทําเอกสารวารสารอิเล็กทรอนิกส์ มหาวิทยาลัยเกษตรศาสตร์


                     วารสารมนุษยศาสตร์ ปีที่ 21 ฉบับที่ 1 (มกราคม-มิถุนายน 2557)   207

                hyperbole (19.40%), personification (14.54%), irony (12.72%), and repetition
                (8.48%).

                         1.2  Types of Common Fantasy Senses Appearing through
                the Use of Figurative Language in Fantasy Films

                           The  results  revealed  that  there  were  204  fantasy  items
                displayed in the two films via the use of 150 figurative devices (65 items in
                Clash of the Titans and 85 items in Prince of Persia). Based on the conceptual
                frameworks of Todorov (1970 cited in Scholes, 1975) and Frye (1957 cited in
                Hume, 1984), the findings showed that these 204 items are of the  eight
                aspects  of  fantasy  senses  including  superpower,  supernatural,  universal
                value, imagination, romance (by hero), magic, myth (by hero) and irony (by

                hero). In order to portray the overall phenomenon of the employment of the
                fantasy senses, with similar criteria to the investigation of figurative language,
                the five common senses appearing to occur more commonly (higher than
                8%) were chosen to be investigated. These included superpower (28.98%)
                followed  by  supernatural  theme  (25.55%),  universal  value  (16.22%),
                imagination (13.06%) and romance (by hero) (8.35%).

                       2.  Summary  of  the  Findings  and  Discussions  on  the

                Employment of Figurative language in creating Fantasy Senses
                         In order to gain the overview of the manifestation of figurative
                language in creating fantasy senses, the investigation was conducted in two
                major ways. Firstly, the employment of each individual figurative device was

                explored  to  observe  its  power  in  expressing  the  intended  meanings  of
                different fantasy senses. Secondly, the investigation focused on how each
                particular sense of fantasy was promoted by the common devices. To help
                complete the picture of this phenomenon, the connection between the use of
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